Saturday, January 16, 2016

The Beauty of Rehabilitation



'Rehabilitation' has developed certain connotations and when it comes to the business of repairing a dagger or doll, the process usually is called 'Restoration'.  Be that as it may, it is a sublimely satisfying activity for me.  I always loved polishing silver and my best friend, who was cousin to a King, albeit one from a 'third World' country', always polished her own shoes and taught me how fulfilling THAT could be as well.

So we come to my dagger, a good blade that was badly damaged either in an attack when armour or some other protective device not only deflected it but destroyed the point.  It is an old blade made of very fine steel.  In fact, it bears the maker's mark still although rust has eaten away most of it as well as much more of the dagger than I would like.

I have owned it for a long time, perhaps two decades but sadly not spent as much time repairing it as I should have done.  I kept it by my bed, used it frequently to open DVDs and boxes but did not repair the point and although I cleaned it a few times, I did not work hard at it.

It was only today that I decided enough was enough, that it deserved far better from me.  I have few tools at my disposal at present, but sandpaper is fairly close to the material used by the ancients and indeed much of the world until fairly recently.  It was sand that was used to polish armour and weapons and sandpaper really is nothing more than sand attached to stiff paper for convenience of use.

This is History at its best, History held in the hands, and as I worked on restoring the point, I wondered about the cause of its destruction.  Although it could have been the act of a stupid child or youth in attempting to throw the knife and failing somehow to do anything but ruin the point, I think it saw combat more than once.  It is quite old, probably at least three hundred years old.  It was made for a rich man or woman, I believe.  The steel as I said is of very fine quality.  The design is sophisticated and quite beautiful.  The handle is of hand-carved wood.  I shall have to find my loupe to decipher the maker's mark once again.  It either was German or Italian, but probably German.

Whether the original owner used it on a daily basis or had a slew of knives at his or her disposal from which to choose, this one saw a great deal of use.  It is pitted and nicked, not just from rust but from interactions with the world.  In former eras, knives often were used as cutlery as well as weapons, as household tools as well as protection.  In the same way that I slit open boxes with it, it may have been used to cut meat and rope, as well as being used for the unsuccessful attack that ruined it as a stabbing weapon.

As some one who is physically disabled, I now appreciate the value of rehabilitation more than I did in my youth when my body was undamaged.  I doubt there is any real restoration in store for me, but I can find some satisfaction in restoring the point of this dagger, in removing all the rust and in keeping it sharp and ready for any intruder or potential source of threat.  More than that, though, there is the beauty of the form and materials of which it was fashioned.  Every edged weapon has a soul of its own.  In this I firmly believe and the character of each is unique.  I bond with my weapons over the years.  In some cases, the rapport is instantaneous.  In other cases, I become more and more attached to the blade as time passes.

I always liked this dagger but it was not the crown of my collection by any means.  The bent point disturbed me as did the crack in the handle.  There is little I can do about the crack int he wood unless I were to fill it with some substance, which could be a possibility.  It is the point, though, that I have almost completely repaired by sanding it again and again and again.

I know a very stupid woman who claims she tossed her mother's set of sterling into the rubbish because 'it was too much trouble to polish'.  She claimed she hated silver and threw out a set of considerable weight and value for that reason.  I don't believe a word of it, of course.  She is filled with pronouncements that are as absurd as they are annoying.  She is Pretension personified and Hypocrisy is a huge part of it all.  Although her brother takes a large variety of narcotics for unspecified and undiagnosed ailments, she is quick to condemn the 'junkies' that come into the chemist's shop where she works and claims that she turns them away, jubilant in being able to deny them the medicine they need....  What is the difference between those poor souls and her brother?  Then she speaks of the poor people who are given food subsidies from the government, and how it makes her ill to see them buying good steaks with the credits they are given.  'They shouldn't be allowed to buy steak!' she cries...  No, poor people should not be allowed to choose a small amount of good meat over cheap stuff... they should be constantly made aware that the quality of their lives is less than that of 'honest, working' individuals like this insufferable creature.

In any case, she obviously never experienced the satisfaction of polishing metal that had turned black to transform it to shining, mirror-like splendour.  Of making something old look new again.  Silver, like edged blades, has a soul.  The word 'patina' refers to the character of silver that has been touched and used over the course of time.   It creates its own history and its own unique appearance.

So here am I, unable to walk properly or enjoy many of the physical pleasures of the past, and yet, this still is given to me, to be able to work magic on old, damaged items, bringing back their glory.  In the hours of great pain, it is SOMETHING and it does give me a sort of grim hope in life.

Wednesday, January 13, 2016

David Bowie and 'Into the West'

The news of the death of David Bowie hit the entire world like a meteor, sending ripples through the entire atmosphere and reminding us all of the cruelty of time.  He stood like a Colossus between the 20th and 21st Century, equally at home in both...  To me and to so many, he represented the era of our youth.

I cried... and realised suddenly that it was not only for Bowie but for so many of my friends who have died.  I remember Mark Wilden who died of cancer last year and who, one summer when I returned from England, had embraced entirely the persona of Ziggy Stardust.   Where Bowie was able to grasp his extraordinary unbridled creativity to reinvent himself again and again, to move freely between tragedy, drama and comedy in his work, Mark I think never felt quite at home in his own skin or his world.   I did not know Bowie personally, more's the pity.  Mark, though, for being such a strange guy, was impossibly rigid and I do not think it was ever a happy combination for him.

So I wept for Mark as well as Bowie, and then for my dear friend John Gross, my wonderful friend Chris Strawson, for Fleming Lee, for Richard Elam, for the beautiful Palestinian poet who was my fiance long ago and who was murdered in the summer of a foreign invasion...   so many dead and the world sometimes turns very grey from their absence because they all shone with their own singular brilliance whether intellectually or otherwise.

There are reasons to keep living but I see with increasing clarity that Death becomes far less frightening when more of our friends are on the other side than on this.  I also understand why so many Kings and Leaders in the past took their entire households with them when they went to greet the Grim Reaper...  would the moment of death be any different?  You think of jets crashing with over two hundred souls aboard, spinning together downwards into the void and one wonders if that is any different than dying alone.  I shouldn't wish to die with a lot of strangers though.  I feel that, unless one were to die with a loved one or a group of loved ones, it would be very annoying to be accompanied by a crowd of strangers.   Porssibly worse than annoying if it somehow determined the nature of the next life.  How awful to be bound to a random group of strange sould forever simply because one happened to die in the same place at the same time.

One then wonders what it would be like to die with an enemy, grappling with some one determined to end your life albeit a stranger as well in battle.  Would you be linked to both comrades and enemies forever?

A couple of days after the death of Bowie is the news of the death of Alan Rickman, a great actor.  I saw him in a play in New York and the charisma that I sensed in his films was even more potent on the stage.    It is another great loss...

I do not know what lies ahead.  No one does, not even those who claim to have looked across the river to the other side briefly or seen the white light or tunnel only to return.  What I do know is that the most comforting vision of all belongs to Tolkien and Peter Jackson's LoTR.

Despite the fact that I consider myself Roman Catholic, well a very Pagan Roman Catholic, it is Tolkien's vision that to me holds most true where Death is concerned.  No angels playing harps but a vision that never was fiction, nor myth but rather embedded very deeply in the ancient Anglo-Saxon and Celtic psyche.  The lands of the West are the Celtic vision of the otherworld, the place where heroes go.  For the Germans and Norse, there were nine worlds and some of them were given over to the Dead and the Dead did not rest upon their laurels but had to fight the forces of Darkness again.

It has been said that the primary theme of Lord of the Rings is Death and secondary to that are Friendship and Loyalty.  I would agree with that, but add the theme of Hope to that of Death.  It is Death with Hope... whether mortal or immortal, Death holds the promise of great beauty and the possibility that the end of a person will guarantee that he or she will live forever in the memories of others, that great deeds indeed are stronger than Death.

The Death of Boromir is an example of this.  For all his failings, his end was glorious and unforgettable.  He was human and mortal but his deeds make him more than mortal.

'Into the West'

Gandalf speaks of Death

Remembering Bowie, one remembers so many different characters and personae.  It was the film 'Labyrinth', however, that made an indelible impression in terms of his appeal.
Labyrinth and Crystal Ball

Within You from Labyrinth

Magic Dance from Labyrinth

On the other end of the spectrum was a role in Ricky Gervais' 'Extras' which always makes me laugh.
David Bowie in 'Extras'

My first glimpse of Bowie in film actually was 'The Man who Fell to Earth'.  I have to admit I was not as enamoured of the film initially as the friend who took me to see it.  I liked it better when I saw it some years later.


Friday, January 8, 2016

Adobe Flash and Tablets, Refusing to Accept Defeat

Evidently, Adobe no longer creates Flash Player for Android or other tablets even though it did in the past.  When my inexpensive laptop/tablet no longer would power on, no matter what I did, a friend gave me a cheap RCA tablet so I still could play Family Farm.  Imagine my horror when I discovered that not only did the RCA Viking not come with any version of Flash Player but when I went to the Adobe site, I was told that it was not compatible with the device.

I decided to do a little research at this point and that was when I discovered that Adobe basically has pulled the plug on Android devices for its Flash Player.  And yet countless Facebook games require Flash Player...

More research and I discovered one can go to the Archives for Adobe Flash Player to install it manually on a tablet.  Here are the instructions:

  1. Make sure your Android device is connected to the Internet.
  2. Open the Settings menu.
  3. Select Security (or Applications, on older Android OSs).
  4. Place a checkmark next to the "Unknown sources" check box.
  5. Tap OK to confirm your selection.
  6. Close Settings.
  7. Launch the browser.
  8. Search for 'flash player archive page' or navigate directly to http://helpx.adobe.com/flash-player/kb/archived-flash-player-versions.html
  9. On the Archive page, scroll down to "Flash Player for Android archives"
  10. Select a version of Flash Player that is compatible with your Android operating system.
  11. Tap the link to download the Flash Player installer. Download begins automatically.
  12. When download completes, close the browser.
  13. Open Notifications.
  14. Tap 'install_flash_player.apk'
  15. When prompted, tap Install.
  16. When installation is finished, tap Done.
Lo and behold, I now am able to open Family Farm and it actually LOADS... now, whether or not I wish to play the game any longer is another matter.

Later:  It loads, but it crashes within a couple of minutes, without allowing me to perform any significant actions.  The same holds true for anything else that requires Flash... so I found a solution but it is outdated. You are not really supposed to be able to use older models of ANYTHING now.  

Now for another rather spooky tale of technology run amok.

Last night, when I was half asleep, I suddenly heard a woman's voice.  It was a voice with a mid-Atlantic accent and the woman appeared to be sharing my bed with me.  She said something like: 'Netflix updated.  75 Notifications.'  I had not requested this information and indeed would have preferred silence as I was trying to sleep.  Nonetheless, she kept babbling at me.  It was extremely unsettling.  I finally discovered that the voice was emanating from my Nook.  The screen was locked and I never had empowered Voice but there she was, quite omnipotent to the point of not even allowing me to unlock the screen.  When I tried to swipe the icon to unlock it, nothing happened.  She kept talking, even describing the fact, rather nastily, that I was unable to swipe the screen to unlock it.  

I powered off and on again but no change.  She kept talking and I was unable to swipe to unlock.  This went on and on for some time.  I thumped the screen a couple of times but no change.  Finally, I swiped it REALLY hard and very slowly.  I had to do this a few times but it did unlock in the end.  The first action on my part was to disable Voice again.  i then realised I never had changed the time from the Central U.S. time set by the previous owner years ago!

Wednesday, January 6, 2016

Women Empowering Themselves with Indelible Ink


Cherry Bomb
'Hello, Daddy, Hello Mom, I'm your Cherry Bomb...'

The Runaways, an all-girl group that included an incandescent young Joan Jett took the world by storm with this song.  Dressed often in the hottest lingerie or costumes that evoked the world of Dominance and Submission, they sang about female empowerment.  I lived both in London and West Hollywood during the Golden Age of Punk Rock and it was an exciting movement and an exciting period in music.

That sort of energy and social message was not part of my own childhood, however.  My mother was of the firm opinion that 'nice girls' did not pierce their ears nor did they play the drums.  I longed to play the drums from the age of 4 or 5 but although my stepfather taught music and had access and the ability to teach every musical instrument, he sided with my mother and emphatically prohibited any contact with a drum set.

I turned then to tap dancing and shamanic drumming, learned to play the traditional madhal drum in Nepal and other drums later by myself but never really had the chance to play a drum set.  It's too late for that now, but I still love the drums.   The beat of the drum is the beat of the heart.  Every shaman knows that and it is an activity that changes a person's breathing, heart rate and pulse, as well as being capable of transformation into a steed you can ride to the 'Otherworld'.

Being physically disabled now is one of the most depressing realities in my life.   Getting older I believe is slightly depressing for most women but to be denied full physical mobility is the icing on this horrid cake.  I long to use a sword, my nunchuks, to dance, to practice a kata, to walk a mile, for God's sake or even walk through the garden, but the flesh continues to break down at an alarming speed.

So where does one go for empowerment?  I think that many people have found extraordinary power in 'ink'.  To inscribe a picture, an icon, a rune or a message on the flesh forever is a very distinct act of Will.  It is an act of permanent transformation.

It is so interesting to remember the reputation that tattoo parlours had when I was a child.  All the tales were of drunken sailors who awakened with a new tattoo, not remembering any of the process.  What this implied,  inter alia, was that there was no Will involved, no real Choice, no mens rea to be combined with the actus reus that resulted in the commission of a shameful deed.

Mr. Rogers beloved of children could not wear a short-sleeved shirt because he had a tattoo from the days of his youth.  Well, the world has changed for the better, indeed, has undergone a change in terms of ink that could have tilted its axis a little.

Lena Dunham who created the hit series 'Girls' may not have been the first female to display her ink proudly but the series definitely opened eyes and had a powerful social effect.  The fact that she did not have a classical 'model's body nor even professional or aesthetically beautiful tattoos and yet displayed her flesh at the drop of the proverbial hat empowered us all.   Sadly, she has changed her image radically now to appear more like an old-fashioned pin-up girl.  Not certain why because her original image was so raw, so potent, so awe-inspiring... what she has become is merely a clone. Pretty perhaps but less powerful definitely.

My daughter is named Freya.  I gave her the name of the most powerful woman in any culture or mythology, a goddess who presided both over the arenas of War and of Love, who let no man rule her or dictate the rules of existence to her.  I took the name of Freyashawk on the internet when she was four years old because I was her Guardian and the Hawk belonged to Freya.  She had a cloak that would allow her to transform herself into a Hawk in fact.  Freya now is quite capable of being her own Guardian.  In fact, she has given me some lessons in female empowerment and I am proud of my high-flying daughter.

When she came of age, one of the first things she wanted to do was to get a tattoo.  I told her that it constituted a rite of passage in which I would like very much to participate.  I designed her first tattoo and went with her.  We had our first tattoos at the same time.   Hers was a bindrune of her name.  Mine was the crest of Napoleon, one of my lifelong idols.

Deciding upon it was very difficult actually, partly because there were a few quite diverse emblems or symbols that I would have liked and partly because my budget was very limited.  One can't always have precisely what one wants.  One has to be happy with a modified version often.  Nonetheless, symbols do have power and that is what matters most.  It is quite attractive as well, although one of my problems with it is that I only can see it in a looking-glass.

After the first, my daughter went on to add more but I never did.  She recently added a gorgeous Lord of the Rings inspired tattoo to her forearm.  It features the Tree of Gondor.  I liked it so much that she gave me a gift certificate for a new tattoo of my own.

Again, I had to weigh practicality and a limited budget with my desires.  In the end, I decided upon a simple bindrune.  It contains within it some very potent runes:  Inspiration, the World Tree, the Ladder to Heaven, Joy, Sacrifice, Gift, the Wheel of the Sun, the Need-Fire and Victory.  In fact, the rune of Inspiration is at one end and Victory is at the other.  I choose runes rather than forming a word with the Bindrune, although I daresay I could find a word that would be spelled out.  Inter alia, one could spell Tara.

My initial concept was to have the entire Futhark in a sort of armband to encircle my upper arm.  This bindrune would have depended from the centre of the band like a pendant.  When I was appraised of the cost of that design, however, I had to choose the simple bindrune instead.

I no longer drive.  I no longer can walk very far and when I do, I need support.   To go from Point A to Point B is a major undertaking.  The people who usually take me to the market or anywhere important are dead-set against tattoos.  To keep an appointment with a tattoo artist required rather audacious and convoluted planning.

And yet I did it.  I almost commandeered a ride from a total stranger at one point when I thought my complex plans were going awry badly.  I was determined and would have moved heaven and earth because to me, it represented far more than the act of getting a design, however potent, inscribed on my flesh.  It would prove that I was capable still of ACTING on my own.

Coincidentally, it was the coldest day of the winter which intensified the difficulty of the entire adventure.  Fortunately, I did obtain the aid of a very nice guy in whom I did not even confide.  He was polite enough not to ask, but I told him that it was extremely important to me and that he had done me a tremendous service.  He was very gracious about it...

In fact, the tattoo artist does not drive either and was rather impressed when I told him of my adventure and how I went up to a woman who was getting out of her car to beg her to take me to the shop...  Her kindness actually is part of the whole rite now and once more has given me faith in the essential goodness of most people.  The neighbourhood where we lived for almost two decades was quite a dangerous one and still is in some cases.  Gang shootings are not uncommon and often Freya's friends would not be allowed to visit her when she was a child.  She had to visit them.  And yet, in that neighbourhood, I always found people who were generous and kind, who did more to help than people in Suburbia for the most part.  I never was afraid really, living there.  How could I be though?  I lived in London, Paris, Manhattan, Los Angeles and other big cities, navigating between the best areas and the worst.  You can be shot even in the poshest of neighbourhoods, and hit by a car even on a quiet promenade.  It's all a matter of Destiny really.

The amazing part of the whole experience is the way the new rune makes me feel.  It has empowered me and renewed my spiritual energy.  It makes me determined to hang on, to meet each new day and get through it somehow, however severe the pain and however limited my choices at present.  I kept that small appointment with Destiny.  Who can tell me that I don't have a future?  I will return to Nepal one day.  I will have a bigger window on the Universe than the one I currently possess.  No one EVER has been able to limit me.  Why should I allow my own body to do that?

One does limit oneself often, however.  Even as a young girl, I always kept a journal but whenever I was given a very expensive journal, I often was afraid to use it, because I wrote with a fountain pen in indelible ink as it were and feared that I would mar the perfection of the book with a mistake.  I therefore failed to take full enjoyment of the exquisite books with handmade paper and bindings.  Even beyond that, were my daily musings worthy of that?  Sometimes, when I did write in those books, it would be to transcribe a favourite poem or maxim by some one else... seldom anything of mine though.

How different is my daughter!  I have found many books of that sort that were given to her through the years, and she scribbled in them freely, using them for any and every sort of writing.    I was a little horrified to find a shopping list in one but how is that more wasteful than leaving the pages empty?  (Incidentally, I am a firm believer in the right to privacy and it was only when I had to decide whether to keep a book or toss it that I looked in these books of hers at all.)

Given this reluctance even to mar the page of an expensive journal with an 'error' or something less than worthy, it is amazing that I actually could have a tattoo executed on my own body.   There are symbols that are redolent of significance to me and always have been, but how to choose one over the other?  I would not wish to have my entire body covered with ink, although it can be breathtakingly beautiful when it is done by a great artist.  I only ever conceived of a couple of tattoos ultimately, mainly in 'discreet' locations.  I am that much a product of my generation I suppose for better or worse.

Now though, I am beginning to realise that what other people see is not as important as what I invest in myself.  Why should I not have a design where I can enjoy it without any difficulty, without stripping off my clothes or finding a convenient mirror?

The guy who did my tattoo is very interested in Norse mythology and we had a great chat while he worked.  He told me he had wanted tattoos from earliest childhood.  He is covered in them now.  He said, however, that his girlfriend has none.  His whole existence appears to be a celebration of diversity and the ability to accept other people the way they are.

I remember an early fascination with the ancient Picts and their woad paintings on their bodies, but as a child and even as a young woman, I never considered having a tattoo myself.  It was only with the Celtic revival and all the complex designs inspired by it that I actually entered a tattoo shop a number of years ago to look at their books and ask for prices.  I saw some armbands and ink torcs of twisted vines or thorns that were very appealing.  I never followed through with it though.

My own mother is extremely rigid still but Patrick, the tattoo artist, told me about a woman of 75 who had her first tattoo last week.  Bravo for her!  I do not think it is something every woman should have or experience but I do believe that we need to be freed from all the prejudices and social constraints of the past, to feel we are free to place indelible marks on our own skin if we choose to do so and not be considered less than nice for making that choice.

When I think about all of these prejudices, I believe that they were born of the concept that a woman did not own her own body.  She was nothing more than the chattel of a man.  She first belonged to her father and then to her husband.  If the husband died, she would be ruled by her son.  A concept like virginity is outdated as well because it was part and parcel of that same male-dominated idea that a woman's body belonged to a man.   A woman should be able to do whatever she pleases with her body.  The sooner every woman understands and accepts that, the better.

This takes me back to the song, 'Cherry Bomb' by The Runaways.  The 'Cherry' of course refers to a woman's virginity traditionally and is a symbol that predates the Middle Ages.  For the 'Cherry' to be a 'Cherry Bomb' is in a way similar to the concept of the Vagina Dentata or Vagina with Teeth, that symbol that is so terrifying to the male of our species who often cannot even bear the visualisation of the opening that, if his member is inserted therein, will bite it clean off!

I did not have a firm idea bout the first or second tattoo... but there is a design that I do want now quite desperately and I want it placed somewhere I could see it without a looking glass.  I am copying it below:


It has everything but above all, it would be a focus for travel to another dimension.  I foresee a time when pain will be utterly unbearable.  I am on heavy pain medication now.  Where do I go from here when the pain increases?  I rather think that a design like this might allow me to escape from the shackles of my own body to a place of relief and peace.  In any case, I am going to try to make this occur.  This is a design that I would be happy to take with me to the tomb, that I would like to think would define me a little.  The two Ravens of Odhinn are named 'Thought' and 'Memory'.  What could be more fitting than the two embracing the Tree of LIfe/Death/Rebirth?  What could be more empowering?